warrior wrote: ...today's BK Murli ...
Lekhraj Kirpalani wrote:This one also shares his experience. Even at a very young age, he used to have thoughts of disinterest. He used to say: There is so much sorrow in this world. If only I could get ten thousand rupees, I would then be able to get fifty rupees interest and that would be enough to allow me to remain free. It is very difficult to look after a home and business.
Achcha! Then Baba saw a film called “Saubhagya Sundri" (The fortunate, beautiful woman) and then all the previous thoughts of disinterest were lost. He began to have thoughts of marrying and doing this and that. Maya slapped him just once and everything was lost.
Therefore, the Father now says: This world is the depths of hell and, within this, those films and the cinema are also depths of hell.
SM 27/06/14
Here's an interesting twist, or another anomaly, the 'Saubhagya Sundri' movie was released by the Imperial Film Co in ... 1 Jan 1933.
Lekhraj Kirpalani started his satsang in 1932. He was already 45 and married to his real and old wife, and had had children long beforehand.
Therefore, if he was inspired by watching 'Saubhagya Sundri' ... perhaps his amour related to Om Radhe instead? Was this where "Maya slapped him"? Something does not add up here.
I cannot find an earlier movie called 'Saubhagya Sundri' so the BKs have got it all wrong and mixed up again, but it's another aspect to look into. It appears to be another confused half-truth to work through.
There was, though, a very famous *theatre* version of 'Saubhagya Sundri' in 1901/1902. It's story is loosely based on the Shakespearean tragedy of Othello.
Apparently, every year kings and prices came to Bombay to entertain themselves with silent movies, theatre and dancing girls (... aka prostitutes?). Saubhagya Sundri was so popular amongst the rich crowd that women started to emulate the heroine Sundari and many puritanical moralists complained that it was spoiling the atmosphere of Bombay and leading people to their ruin.
Now we know that Lekhraj Kirpalani was younger than the BKs claim, and born in 1888 rather than 1876, that would mean he was only 12 or 3 when it showed original showed in The Gaiety Theatra of Bombay. However, it came and spent 8 months in Karachi during 1906, when Lekhraj Kirpalani was around 18, and was very popular again.
He would have heard about it then, if not seen it. The theatre producers courted the merchants of the city.
Funnily enough, in the play, the female lead role (Sundari or the Desdemona character) was played by a man - Jayshankar Sundari - as for a women to do so was a great taboo at the time. It made him so famous, he took the character name as his own. Actually, he was an 12 boy when he started the role and would be around 17 when it played in Karachi. He was one year younger than Lekhraj Kirpalani.
Bizarrely, he became the prototype of the idealised Indian woman, whose dress and mannerisms real women then copied.
When the film came out in 1933, the producers had to call upon an Anglo-Iranian Jewess to play the part as, before her, playing cinema heroines was usually assigned to slim young men as it was such a socially-disreputable job that even prostitutes refused to exhibit themselves before the whole country in that way.
Ruby Myers, aka Sulochana, became the face that changed Indian cinema, taking on such a dubious profession to play the role but opening the door for Indian women to then become actresses.
I cannot find the storyline for the India play/movie but in Shakespeare, Desdemona is a beauty who enrages and disappoints her Father, a powerful senator, when she elopes an older man. Her husband is manipulated into believing she is an adulteress and, in the last act, she is murdered by her estranged spouse.
Younger beauty ... older man ... 1933 ... adultery ... it points more to Om Radhe than his real wife but that just conjecture at present until we find out more.
Only sundari means "a beautiful or lovely lady". Saubhagya is lucky or fortunate. Therefore, Lucky Lovely Lady or "Auspicious Young Wife" and not very high art. Again, points to Om Radhe for me.
If anyone know better, or can add more accuracy, please do.
The theatrical transvestite Jayshankar's next famous role was as a gopi (female milkmaid) to a Krishna character full of sexual/mystical in a play called 'Vikram Charita'.
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As an aside, and I don't know if there is any connection, "Saubhagya Sundari Vrat" is actually a traditional festival for married women who keep it as a fast to get good husband, a happily married life, and to attain the pleasure of children. They perform puja for Lord Shiva and goddess Parvati.
From: Stages of Life: Indian Theatre Autobiographies by Kathryn Hansen and elsewhere.
- Sulochana
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On dressing up as a female character for the first time, Jayshankar wrote:I saw a beautiful young girl emerging from myself. Whose shapel intoxicating limbs oozed youthful exuberance. In whose form is the fragrance of woman's beauty. From whose eyes feminine feelings keep brimming. In whose gait is expressed the mannerisms of a Gujarati girl. Who is not a man but solely a woman - a woman.
Doesn't sound like a 40 year old wife to me ...